This is how we can sum up what to expect from a Cláudia Pascoal concert: powerful, innovative, entertaining, surprising and visually striking.
Performing live as a trio alongside André Soares and António Miguel Serra (Metamito), no one remains tied to a single instrument. The instruments themselves become part of the set design: a house, Cláudia Pascoal’s House, where a traditional Portuguese street party atmosphere is recreated. Folk drums coexist with refrigerators, showers and even ceramic dogs. Everything on stage becomes part of the music, making this much more than a concert featuring singles. Instead, audiences are invited to enter Cláudia Pascoal’s unique weird-kitsch universe.
Somewhere between traditional Portuguese music and contemporary pop, Cláudia Pascoal occupies a category entirely her own. If words fail to capture her artistic atmosphere, simply listen to Nasci Maria, the song she took to the Festival da Canção. If that is not enough, add Eh Para a Frente, Eh Para Trás or Quase Dança to the playlist. Welcome to Cláudia Pascoal’s Vira.
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